Beef za kijingajinga! Bahati releases diss track aimed at Toxic Lyrikali and Buruklyn Boyz
Kenyan singer Bahati has jumped into the fiery drill music feud currently dominating Kenya’s entertainment scene, releasing a diss track that adds yet another layer to the already heated rivalry between Toxic Lyrikali and Buruklyn Boyz.
The track, titled Lost Kwa Thone, was released on Friday, March 6, 2026, and quickly caught the attention of fans online. Known mostly for gospel and love songs, Bahati’s sudden entry into the gritty world of drill has left many listeners amused, surprised, and curious about what pushed the singer into the lyrical battlefield.
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In the song, Bahati throws playful but sharp jabs while declaring himself as a heavyweight in the music scene.
“Kaa chini Denzel mi ni goat kwa scene. Under surveillance na ghost ma drone. Usirorose Mathare intakuhost kwa chuom,” he raps in one of the lines.
In another part of the track, he appears to mock the situation between the rival camps, telling the Buruklyn Boyz to stay indoors.
“Buru Boys indoors mtaremain zimeni hizo nduthi mtahave kuremain, hamuwezi fikia hizi tracks tu ni train,” he says.
“Nimewadiss jua nangojea majibu, kuendeni uko muache izo beef za kijingajinga,” he sings, calling for a response from the two drill artistes.
Toxic Lyrikali VS Buruklyn Boyz
The diss track comes as the rivalry between Toxic Lyrikali and the Buruklyn Boyz has been dominating timelines and music conversations. The feud began earlier this year after Toxic accused the duo of copying his style and riding on the popularity of the dancehall-drill sound he claims to have helped grow.
The disagreement quickly escalated from social media arguments to diss tracks. Buruklyn Boyz released Stima, which many fans interpreted as shots at Toxic, before the Kayole-born rapper responded with Dumpsite, where he questioned the duo’s authenticity and mocked their Buru Buru background.
What started as a lyrical competition soon spilt into real life. Reports emerged of clashes between supporters of the rival camps in Donholm, forcing police to intervene as tensions rose among fans.
The feud has since become one of the most talked-about moments in Kenya’s drill movement, with fans dissecting every lyric and taking sides online. Some artistes have even urged musicians to tone down the rivalry, warning that the hostility could overshadow the growth of the industry.
